Trailer Mockup Revisions

It's getting there.  I've added some slow, Ken Burns-style pans and zooms. The models for Leslie, the PI, and the older brother have changed. They were chosen long ago, but the PI was depicted with papers but no computer, and as he relies heavily on the computer, I wanted one in the trailer.

Thanks to Tin Eye, I found him on a microstock site in a number of poses, including the one in this mockup. I found the older brother on my hard drive -- I had purchased the pic some time ago, never used it, and forgot about it. And Leslie -- this is the original Leslie model I chose when I started writing the story.



I originally found her on iStockphoto and downloaded a comp with the idea of using her in a video trailer if I ever finished the book (which was in doubt when I started writing, as the story was basically a lark, and I wasn't real serious about writing it).

When I recently went to iStockphoto to see how much the price had increased (they've priced themselves out of my price range, mostly), the photo ID on my original comp download turned up a "not found". So, I did a Tin Eye reverse image search, which not only found her at iStock, but also at several other microstock sites -- including 123RF, where I have a bunch of credits. She was not only there -- she was there in several poses -- and affordable!

The inspiration for Chris Dupree's appearance
When I started the story, the male lead was named Julian Walraven (a surname in my genealogy) but I wanted to save that for another story, so I renamed him Chris Dupree (he has some Cajun forebears, and is named after a South Louisiana Cajun I used to work with). His appearance was inspired by the actor Ryan Carnes, as he appeared in SyFy's The Phantom.

I haven't watched TV much since The X Files went off the air, but I saw a promo for The Phantom, and decided to watch it. During the mini-series, hubs filled me in on the Phantom backstory and said SyFy had really buggered it up (apparently fans of The Phantom were really pissed at the liberties taken in this production), but I enjoyed it and I thought Carnes was a cutie -- and a not-bad actor. I had never heard of him, so I Googled him and discovered he was a teen soap star; he's straight but portrays homosexuals in some of his movies. How unfortunate that he didn't choose to promote virtue and decency in his corner of the popular culture...

In any case, as cute as he is, I of course would not be able to use his likeness in a video trailer, so I was delighted to find this model. With a little help from my photo-editor, he makes a very credible Chris.

Left, stock photo model; right, Ryan Carnes in The Phantom.

Here are some of the video mockup frames, and images used to composite them:

 The storm clouds --

From Dreamstime Free

 The cryptids --

Images from Morguefile, Pixabay and/or the public domain

The crash --

Images from Morguefile, Pixabay and/or freebies

The Rescuer




These pics are all stock images except the duster and the truck. There are pics of men in dusters on the stock sites I use, but none are posed like I need them to be. If I can't find one by the time I'm ready to do the actual video, I'll contact the manufacturer of this duster and see if can use it (ditto the truck). I have emailed the company that makes the duster I used on the Catamount cover mockup, but have not heard back from them. Hope I have better luck with this one. With some commercial interests, you just never know. (I contacted Rawlings to seek permission to use an image of one of their catcher's helmets on the cover of Alex Austin, and they not only permitted it, but sent me a beautiful, print-resolution image to use.)

Creating Chris

I shortened and widened his face and mouth and added fullness to his hair above his ears. Also saturated his hair to be more yellow-blond rather than platinum blond, but it looks almost red, and needs to be desaturated a little. Chris is twenty-seven. (I've had critics tell me that he looks twelve....)

Chris, as Leslie sees him:
He entered the main room, opened up the armoire, which was filled with an impressive array of electronics, and trundled out a computer workstation. In silence, he pulled up a chair and sat down but as he powered up the computer he suggested, somewhat offhand, that she sit nearby.

She lowered herself onto straightback chair he  pulled up next to his and took the opportunity to study him.

He was not overly tall, probably an inch or two under six feet, but he was rangy, his muscles strong and hard but graceful and elongated. His neck, adorned with a gold chain that disappeared beneath his shirt, rose from wide, square shoulders.

His slender face was remarkably handsome. A bow-shaped upper lip was complemented by a barely prominent lower one, and he worked them slightly as he set about his task. Beneath thick, gullwing eyebrows, his gray-blue eyes took on a darker blue, depending on the lighting around him. A beautiful frame for his face, his his hair spiked outward from a symmetrical hairline with exquisite temporal points.

What happened to 'possible serial killer,' girl?

It was all she could do to pull her eyes away from him and focus on the computer screen.

Leslie

These are a few of several shos of thsi model at 123RF
Unfortunately, there are none of this woman in profile, so I had to use a similar looking model, but I think she'll do:
A frame in  the video --
Let's wrap up with a couple of promos from The Phantom miniseries. My favorite part --  "I'm not wearing that." Dorkiest part (did Carnes feel like an idiot saying this line?) -- "They call me the Phantom."



Trailer Mockup for Love in Smallfoot Alley

This is a mockup using low-rez comp images, which explains the watermark you see on some of them. I'm so happy I found a model who looks much more like Chris than the one I was using. I'm still looking for a model for Leslie.