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Some time in the early to mid 1970s, I borrowed a book from the library in Monroe, Louisiana entitled Steamboat Gothic, by Frances Parkinson Keyes. My parents had moved to Louisiana from Montgomery, Alabama, and I followed them when school let out for summer. I borrowed several books, fiction and nonfiction, to learn about their new state.
I read several other of Keyes' Louisiana novels -- Dinner at Antoine's, Crescent Carnival, The River Road, perhaps one or two others, and I enjoyed them all, despite Keyes' propensities for including everything in her stories but the kitchen sink. In fact, that was part of the reason why I read them -- their vivid and arresting portrayal of French (i.e., south) Louisiana culture in which the stories of her fascinating characters were embedded -- a land in the South but like no other part of Dixie, the exotic locale of Creoles and Cajuns and their servants -- which makes them very, very un-PC today.
But Steamboat Gothic proved to be the most memorable. I bought a paperback version with this cover, and read it at least a couple more times in the next few years, but at some point in the mid to late 1980s, I lost my copy. I never forgot the story, though, and through the years, longed to read it again.
A few days ago, I received a used copy purchased from Amazon.com. It's been most interesting, reading the story again from a writer's viewpoint. I have known since my earliest attempts to write that my style was highly influenced by two authors -- Rex Stout and Frances Parkinson Keyes. Sounds rather odd when you realize that Stout wrote spare, fast-moving and short detective novels starring the famous Nero Wolfe and his equally famous "official gnat," Archie Goodwin -- novels set mostly in New York City that took place over a period of days or weeks -- while Keyes wrote ponderous romantic and cultural dramas that sometimes covered years, decades, generations or, in the case of Steamboat Gothic, the better part of a century.
Over an indeterminate time period in the near-distant future, I'm going to blog about Steamboat Gothic and its author from a variety of approaches (SPOILER ALERT!), not the least of which is what makes Clyde Batchelor the most magnetic, admirable and unforgettable romance hero I've ever read.
Stay tuned!
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The great house at San Francisco Plantation in Garyville, Louisiana,
the inspiration for "Cindy Lou Plantation" in Steamboat Gothic.
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